1. Lining Up Your Neck For A Floyd Rose Bridge
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3. SPECIAL OFFERS FROM PYOG
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If you're the kind of guy or gal who likes to
swap necks, this is something that you'll no doubt, come across
if you use Floyd Rose bridges. (NOTE: does every guitar
player own at least one Floyd Rose bridge or a licensed FR bridge?)
For my book, Project 5150, I customized a neck
to look just like a Kramer neck with banana headstock. The Kramer
body was already routed for the bridge, so all I had to do was
bolt on the neck and I'd be good to go.
However, when putting on a new neck, you don't
just want to bolt it on; your strings have to line up PERFECTLY
on that neck, otherwise, it's going to play like SH*T, so you
have to be real meticulous when doing something like this.
So, follow along - this is how I line up a neck
for a body that's already been routed for a Floyd Rose bridge.
Step 1: Using a C-clamp and some scrap
pickguard pieces (left over from a Frankenstrat), I set up the
neck so it's in the neck cavity. Then, I take one piece of pickguard
and place it under the body (FIG 1) with the other piece going
on top of the neck (FIG 2). I then tighten the clamp making
sure that the clamp is placed in a position so that I can pass
strings from the tuning pegs to the bridge. The clamp is just
snug at this point - I still have to be able to move the neck
to position it correctly. (you don't have to use the pickguard
scraps. But make sure you use something underneath the clamp
that won't damage the finish.)
Step 2: With the neck snug, I place my
bridge into its proper psoition and use one spring to hold it
in place (FIG 3).
Step 3: It's time to put a couple of strings
on the neck to line up the neck properly. I start with my low
E (FIG 4). I lock it in place on the bridge and then wind it
around the tuning peg, but I'm not stringing it up to pitch;
I'm merely tightening it enough so that the string is snug and
there's no slack.
Once that string's in position, I do the same
with the high E (FIG 5). I tighten it so it's snug.
With both of the strings locked and snug, I can
now move my neck until the neck is in the ideal position for
me.
Personally, I like there to be a little bit more
room on the high E than on the low E. I don't play that much
stuff up high on the low E, so as you can see in FIG 5, this
is exactly how I've lined it up.
You may not want to do it this way and that's
perfectly fine. All I'm doing here is showing you an easy way
to line up the neck. How much room you allow on each side is
your decision.
Step 4: Once I've gotten the neck into
the exact position I like, I then tighten the clamp so it's
tight... not ridiculously tight - just tight.
Step 5: With it in place, I then use my
power drill and drill the holes that I can access. The clamp
is blocking one of the holes so I leave that one. I drill three
holes but I only mark the holes - I don't drill them all the
way (FIG 6). I'll explain that in a sec.
Step 6: With the three holes drilled/marked,
I remove the clamp and the neck. I then position the neck plate
over the holes and mark the center of the final hole that needs
to be drilled (FIG 7 & FIG 8)
Step 7: I set my drill press to the exact
depth I need to drill the holes down to. I use the drill press
over doing it by hand because the drill press is a perfect 90
degrees whereas, my hand may move out of position as I'm drilling,
therefore making my hole crooked. Obviously, I don't want that.
If you don't have access to a drill press, then
drill the holes to the depth they need to be with your power
drill.
And there you have it.
I can then bolt my neck on and it's absolutely
perfect. The strings line up exactly as I wanted them to.
Next issue, I'll show you how to line up and install
a bridge if you don't have the holes already drilled.
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See you soon...
John Gleneicki has been painting guitars professionally for over 25 years.
He's a former Guitar WORLD Columnist and has also done
custom airbrush work for such companies as ESP Guitars.
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