1.When To Paint And When NOT To Paint!
2. Today's Q & A: Your Questions Answered
3. Become A PYOG Affiliate
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Painting your own guitar and achieving factory-like
results is something that's not that difficult to do when you
follow one of my books because I spell it out pretty well by
breaking it down into a step-by-step process. However, there
are things you have to avoid in order to do the best job possible.
One of the things I touch on in my books is to avoid not painting
in humid conditions. With humidity, the moisture can and will
get trapped in the paint and create a foggy appearance to the
paint.
If you paint outside like I do, it's bound to
happen to you. Luckily, I live in California where the weather
is very dry - but we do get damp, humid weather through the
winter months. So, when I need to spray a coat or two, I try
to do it when the sun is shining rather than at night. If you
don't have the luxury of living somewhere where it's not so
humid, what are your options? One of the things I USED to do
when I was much younger (and lived in Toronto, Canada where
it's humid) is to spray down in the basement. Although
basements are notorious for being damp, here's what I would
do to prevent the fogging in the paint:
Paint close to a window. Open the window and put
a big box fan in it, but have the fan blowing the air to the
outside. As you spray, the paint particles and fumes will get
sucked outside along with any moisture in the air surrounding
the area where you're painting.
You only have to be concerned with moisture when
you're actually applying your paint; that's when the moisture
will get trapped. Doing this will definitely help.
Another thing I recommend is using a heat register
or heating device in the area, so it's not so cold when you're
spraying because the cold will also affect the paint. Warm the
area for 15 minutes before opening the window, so it's at least
60 - 70 degrees. This is the optimal temperature for painting.
Anything colder than 50 degrees and you're asking for trouble.
SO, if you have to paint outside, make sure the temperature
is above 60 degrees, not below.
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Q: My project
guitar has a gouge that is about 3" long, 1/4" deep,
and about an 1/4" wide. What can I use to fill this groove?
A: For small dents and holes, I recommend Bondo, which is an automotive
product. I prefer this over plastic wood. However, for what
you have, you'd be better off using a 2-part epoxy (resin/hardener),
and filling it with that - simply because of how deep and wide
it is.
A 5-minute or 10-minute
epoxy will do the job. After applying it, let it dry, then sand
flat. Once you've got an even surface, you're good to move to
the rest of the prepping steps.
Q: I have an Ibanez RG and the
cutaways are very steep. It seems like every time I sand, parts
of the primer come off exposing the wood. Is there a solution
to this problem or should I just sand lighter?
A: As I
state in the book (which you read, right? :-o), you don't sand
the sides with anything coarser than a 600-grit for this very
reason - you run the risk of sanding through. Paint just doesn't
build up on the sides that same way that it does on the top
or back. However, you're missing something - sand the sealer
and make sure it's smooth and flat. Apply your primer, then
you're good to go - DON'T SAND THE PRIMER.
Q: I want to cover my entire
guitar with stickers, then clear coat it. What's the best way
to do this?
A: Doing something like that is very tricky, if your goal is to
create a smooth, factory finish. I'm not saying it can't be
done, but your chances of doing it perfectly are slim. First
off - you'd have to apply A LOT of clear to compensate for the
different levels that the stickers will create. The more clear
you apply, the longer you'll need to allow it to sit and cure.
One thing to watch for when
applying the clear is that the sides of a sticker don't start
to lift before or after you've applied your coats. Otherwise,
you'll never be able to create a flat surface with a corner
sticking up.
My advice is to test this
technique by working on another piece of wood prepared as if
it's a guitar body. If you can pull it off on the test piece,
give it a shot on your body. I will tell you, though, I've done
this a couple of times and never achieved a perfect job - it's
very tough to do.
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See you soon...
John Gleneicki has been painting guitars professionally for over 25 years.
He's a former Guitar WORLD Columnist and has also done
custom airbrush work for such companies as ESP Guitars.
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